Despite rarely pausing for breath - not just as a result of Enslaved's hectic touring schedule, but also due to numerous extracurricular projects - Ivar and his comrades have somehow managed to piece together yet another full-length milestone in the shape of their 14th studio effort, the elegantly titled E. Written amid a burst of creativity, grabbed at the tail-end of the band's 2016 US dates, the new album marks the majestic birth of a revitalised and newly inspired Enslaved. Against the logistical odds, a new dawn was coming.One major factor in this revered band's new lease of creative life is the arrival of new keyboard player, Hakon Vinje, who replaces the departing Herbrand Larsen. From the grandiose, weather-beaten riff-scapes of 11-minute opener Storm Son to the wild, psychedelic frontier squall of Sacred Horse and the muscular, sax-powered shoegaze barrage of monstrous closer Hiindsiight, it is both a typically bold and fearless statement from this most inventive of modern metal bands and a thrilling sideways step that harnesses the spirit of old and sets it loose in a whirlwind of imagination. 14 albums and 26 years into a career that shows no signs of losing neither momentum nor its magical, effervescent creative sheen, Enslaved are once again evolving before our ears and eyes. This time, however, even the sky is no limit.